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These amps had two “sections” (The most common thing to do was to set one section to Lead specs and the other one to Bass specs). SIR studios declined all the offers they received for it.

With a standard eq (presence, bass, middle, treble), a total of 8 inputs (4 for each “section”) and 4 volumes, this thing is a real Frankstein monster. Then, this amp was used on the rehearsal sessions of Guns ‘n’ Roses’ Appettite for Destruction album. XD) Close-up of a “plexiglass” panel JMP And now, we are oficially into the JMP era.

This is the reason why Marshalls of this early era (up to 1968) are known as “Plexis”.

The sound of this amplifier is “creamy” and “warm”. This amp is more suited for blues players, with a smoother sound.

The JTM-45/ 100 (JTM-100) The JTM-45/100 with the “block” logo Pete Townshend and John Entwistle of The Who needed amps that could overpower the noisy and energetic crowds.


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