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The fidelity (or rather, the lack thereof) of these two's recordings from the 1930s and 40s is sadly distracting and detracting. Chuck Berry: It should be said that it's Chuck Berry's lyrics (and his delivery) that make him one of the two or three most seminal cats in the rock 'n' roll game ever forever.

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For the record, excluding alien life forms is not my style.

Consequently, Jimi being from Neptune wasn't a problem here.

Hell, Pete got away with Musique Concrete noise half the time, thanks to his rhythm section. Pete pioneered guitar sonics and arrangement gimmicks, even certain ways of strumming, that are now just part of Rock's DNA. one afternoon, back in early 1966, while having lunch in an East End pub, Pete drew a picture on a napkin for his meal mate, Jim Marshall (yes, rock fans, Marshall! And yes, the use of raw feedback, the wanton destruction of the sacred wood 'n' wire beasts, the power chording, the Bo Diddley "Roadrunner" string scrape, the sheer noise, the huge tone, the patented Who anticipated and delayed rhythm accents, that fookin' nose, the fact that one can hear nascent Punk and Metal in his playing years before either musical movement erupted, the fact that a player of Jimmy Page's stature can admit that sometimes he has no idea what Pete's doing in his idiosyncratic lead playing, the fact that he threw me a guitar... One day, someone showed Les Paul the cover of Pete Townshend was asked a decade or so ago if, after all the time had passed, he still harbored any resentment towards Jimi for historically kinda hogging some of Pete's credit on things like feedback, guitar smashing, etc. In this case, it was simply an accurate way to describe Jimi's playing/writing/arranging.

Well, I'm gonna take it that you get the fuckin' idea. His influence is felt most directly in the beyond-unique sonics he brought to the table, all of which are now simply part of the lexicon.

There was a guitarist auditioning on the little bandstand, "a kid playing a [Gibson] Les Paul Black Beauty, left-handed. " as Les put it (doncha love that that was the guitar he was using! You never really saw/heard the world the same way afterwards.

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