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Despite her parents' initial disapproval, Kelly decided to pursue her dreams of being an actress.
John was particularly displeased with her decision; he viewed acting as "a slim cut above streetwalker." To start her career, she auditioned for the American Academy of Dramatic Arts in New York, using a scene from her uncle George Kelly's The Torch-Bearers (1923).
She continued her work in the theater and on television, She had various roles on television shows produced by NBC and CBS.
Kelly's new costar, James Stewart, was highly enthusiastic about working with her.
The role of Lisa Fremont, a wealthy Manhattan socialite and model, was unlike any of the previous women she had played.
She played Nancy, the wife of naval officer Harry (Holden), who was a minor but pivotal character in the story.
In a film review released 12 months later, The New Yorker remarked on the apparent on-screen chemistry between them and took note of her delivery of her performance "with quiet confidence." Eva Marie Saint, who replaced her, won an Academy Award for that role.
Kelly committed to the role of Lisa Fremont in Rear Window instead.